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PROGRAM FOR CULTURE



Ever since established, Hemofarm Foundation has been investing in the culture and art programmes aimed at improving this particular area, because, in addition to health and education areas, it represents the pillar of development of a contemporary society. To date, we have supported various cultural institutions and events, including Belgrade Dance Festival, Mikser Festival, Boško Buha theatre, Belgrade Philharmonic Orchestra, as well as many others, focusing on bringing about sustainable changes to the present cultural pattern, while keeping up with the contemporary trends in this field and intending to bring culture and art closer to the general public.
‘The Summer when I learned to fly’ Movie
The movie ‘The Summer when I learned to fly’, based on the identically-titled novel written by Jasminka Petrović, directed by Radivoje Raša Andrić, is a story of love, growing up, value of family and friendship that will take you through the halls of carefree childhood for at least a moment. The audience showed its appreciation of this movie with several minutes of applause and ovations at the premiere, which is a whole-hearted recommendation to watch ‘‘The Summer when I learned to fly’ at the nearest cinema. The Hemofarm Foundation is a proud partner of this family movie which will be enjoyed by viewers of all generations. The main role is played by Klara Hrvanović, accompanied by Olga Odanović, Snježana Sinovčić, Žarko Laušević and many others. Music authored by the great Vasil Hadžimanov brings additional quality to the movie.
PROČITAJ VIŠE
19TH BELGRADE DANCE FESTIVAL
The 19th Belgrade Dance Festival, sponsored by Hemofarm Foundation, was marked by the performance of 14 companies in front of almost 10,000 spectators. A total of 27 choreographic pieces, including two world premieres, were performed during 23 evenings at the 19th Belgrade Dance Festival. Under the slogan ‘We Believe in One Dance’, from mid-March to mid-April, the audience had the opportunity to see performances by companies and artists from three continents. Various works were presented, from those intended for more intimate spaces to not only artistic, but also logistically and scenically extremely demanding productions, and connoisseurs of opportunities in contemporary dance agree that the plays performed are an excellent cross-section of current research and trends on the European and world art scene. The festival opened with the performance of the famous Lines Ballet from San Francisco with the pieces Personal Element and Nitrogen by choreographer Alonzo King, whom the legendary William Forsythe called ‘one of the few ballet masters of our time’. All performances from the program, despite numerous challenges and occasional uncertainties due to objective circumstances, were performed in accordance with the announced program. In addition, after more than two years and six delays due to Covid, the audience saw a spectacular performance of the Montreal Jazz Ballet at the end of the 19th Belgrade Festival with the play ‘Dance with me’, a homage to the famous poet and one of the world's greatest songwriters Leonard Cohen. Fans of dance, who kept tickets for this performance for more than two years, watched the spectacular finale of the festival both evenings at the Serbian National Theater with enthusiasm and comments that such a masterful performance was definitely worth the wait. In its 19th chapter, the Belgrade Dance Festival brought the audience back to the halls, which is especially important at a time when many European and world festivals, as well as renowned theaters, fear a decrease in visits due to changes in audience habits during Covid. Belgrade thus remained on the map of world cultural events, and the efforts of the organizers were noticed by the foreign press. Thus, among other things, the Washington Post noted that the festival was not interrupted in the past two years during the pandemic, and Linda Shelton, director of the famous New York Joyce Theater, in an interview for this influential newspaper, praised the moves of the festival's director Aya Jung as an example of how the promoters of the dance in the world can cooperate in order to overcome the problems with the pandemic. In addition, the critic and editor of the Italian magazine specializing in dance, ‘Danza e Danza’ wrote that ‘the festival focused the attention of the entire dance industry on the Serbian capital’, and that the program was ‘a beautiful journey and interesting exploration of all kinds of modern dance and moments’. This year, the performances were attended by a large audience, 22 guests of the festival, critics and producers from abroad.
PROČITAJ VIŠE
THE MOVIE STITCHES
We have also supported the screening of the movie ‘Šavovi’ (Stitches), by the director Miroslav Terzić, dealing with the perseverance and courage of a woman, a mother, who fights for discovering the real truth about the destiny of her son she suspects to have been abducted in a maternity hospital twenty years ago. The movie ‘Šavovi’ had the world premiere at the Movie Festival in Berlin where it won two awards – in ‘Panorama’ programme - Europa Cinemas Label award for the best European movie, and audience award, and the movie was premiered to local audience within the FEST.
PROČITAJ VIŠE
WHEN NIETZSCHE WEPT
We have also supported the theatre show ‘When Nietzsche Wept’ desiring to point out to the importance of prevention and preservation of mental health. The premiere of theatre show ‘When Nietzsche Wept’, based on the novel of Irvin D. Yalom, one of the most widely read contemporary writers in the world, was held at the Cultural Institution Vuk Stefanović Karadžić on 14 February.
PROČITAJ VIŠE
16 BELGRADE DANCE FESTIVAL
In 2019, we have supported Belgrade Dance Festival which has become a prestigious reference in biographies of artists who set trends and make the history of dance, a place of discovering innovative productions, and at which both known and young artists are presented with equal attention paid.
PROČITAJ VIŠE